![]() With “Aladdin,” the newest in the ongoing line of Disney’s live-action remakes of their own animated feature films (the original Aladdin came out in 1992), Ritchie tackles something very different from what’s been his norm. The films’ kinetic energy have made them instantly recognizable as a Ritchie film. ![]() ![]() His heroes have been dashing, his villains have been wicked. An example of each, in the same order, is “Lock, Stock and Two Smoking Barrels,” “The Man from U.N.C.L.E.,” “Swept Away,” and “Sherlock Holmes.” The movies that he’s also written have, for the most part, been edgy, darkly funny, fast-paced, and visually exciting. The evolution of Guy Ritchie as a filmmaker includes small art-house darlings, big-budget action-adventures, money-losing flops, and box-office bonanzas.
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